Vollmaier: Kind of Laibach
Sašo Vollmaier - pianist, composer, performer, teacher
Streaming
Biography
Press kit
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Projects
Performer
Sašo Vollmaier is performer in the field of performance-art.
His performance includes sound desing on stage with intervetions of movement, spoken word, voice expression.
Vollmaier's last sound concept appeared in performance art week in Venice (Dec 2019), called "Fragile Breath".
Voice teacher
Vollmaier works internationally as a voice teacher. It was his passion for voice work that led Sašo to the "Centre Artistique International Roy Hart" (research and study center), where - as Musical Director of the performance Generation, working with founding members of the Roy Hart Theatre - Sašo gained a profound appreciation of the power of presence, fragility, expression, authenticity, and curiosity. These are the core tenets of his teaching today.
Composer/Arranger
He is composing and arranging for different musical, dance and theatre performances. Vollmaier actively collaborates with various musical formations/bands, singers, music enthusiasts and developers.
Vollmaier mostly collaborates with Luka Jamnik (composer&producer).
Upcoming dates
| Mon, 6 Feb 2023 > Thu, 16 Feb 2023 |
Accademia dell’ Arte (College & University)Arezzo, IT
guest teacher: Sašo Vollmaier
voice, musicality, improvisation, listening
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| Wed, 22 Feb 2023 > Thu, 23 Feb 2023 |
F.Kafka: Pismo očetu (Letter to His Father)Anton Podbevšek Teater, Novo Mesto (SI)
F. Kafka: Pismo očetu
Anton Podbevšek Teater
Anton Podbevšek Teater |
| Tue, 11 Apr 2023 |
Vollmaier: LigetiLjubljana (SI)
How to explain Ligeti to a dead audience "...The concurrent artistic careers of G. Ligeti and J. Beuys have instilled a desire in Vollmaier for cooperation and new creation inspired by their artistic outputs. In 1963, Beuys organised the first Festum Fluxorum Fluxus in Düsseldorf, and invited Ligeti to take part in the festival. A milestone in the development of Beuys' artistic "actions", the festival served as a catalyst for his sound performances, from then on explicitly referred to as "concerts", while Ligeti radicalized the performative aspect of music in his work. On the one hand, this was Ligeti's "extreme electronic" approach to the acoustic instrument and, on the other hand, Beuys' concept of tearing down the wall between life and art..." |
| Thu, 13 Apr 2023 |
Vollmaier: LigetiRavne na Koroškem (SI)
How to explain Ligeti to a dead audience "...The concurrent artistic careers of G. Ligeti and J. Beuys have instilled a desire in Vollmaier for cooperation and new creation inspired by their artistic outputs. In 1963, Beuys organised the first Festum Fluxorum Fluxus in Düsseldorf, and invited Ligeti to take part in the festival. A milestone in the development of Beuys' artistic "actions", the festival served as a catalyst for his sound performances, from then on explicitly referred to as "concerts", while Ligeti radicalized the performative aspect of music in his work. On the one hand, this was Ligeti's "extreme electronic" approach to the acoustic instrument and, on the other hand, Beuys' concept of tearing down the wall between life and art..." |
Music
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